WEKO3
アイテム
ホステスは語ることができるか? —「元ホステス」作家の語りと読者の受容
https://doi.org/10.34577/00004703
https://doi.org/10.34577/0000470302401ef8-95ac-477a-858c-88fd12bc8930
名前 / ファイル | ライセンス | アクション |
---|---|---|
![]() |
Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2020-05-28 | |||||
タイトル | ||||||
タイトル | ホステスは語ることができるか? —「元ホステス」作家の語りと読者の受容 | |||||
言語 | ja | |||||
タイトル | ||||||
タイトル | Can the Hostess Speak?: “Ex-Hostess” Author Narratives and Its Readers’ Responses | |||||
言語 | en | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.34577/00004703 | |||||
ID登録タイプ | JaLC | |||||
アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
著者 |
大江, 光子
× 大江, 光子 |
|||||
著者別名 | ||||||
識別子Scheme | WEKO | |||||
識別子 | 7379 | |||||
姓名 | OE, Mitsuko | |||||
言語 | en | |||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Since around 2000, hostesses have expanded opportunities to write and/ or speak about hostesses. This has become a kind of social phenomenon. This paper focuses on the hostesses’ narratives about hostesses and considers the following two questions. Firstly, in the expanding opportunities of narratives by hostesses, can hostesses who talk about hostesses represent (“speak for”/“represent”) those who do not? This question is about representation. Secondly, how do readers/listeners respond to the narratives of hostesses by hostesses? This question is about readers’ responses. In order to answer these questions, this paper analyzes one of the novels written by “ex-hostess” Yuzuki Muroi, Dragonfly(1999), in which the protagonist comes to identify herself as a hostess. Firstly, previous literature on hostesses is introduced, and its problems and significance are presented. Secondly, I consider the effects of the stigma attached to hostesses in regards to issues of representation. By employing Spivak’s subaltern theory, I argue that it is impossible for the hostesses who talk about hostesses to represent those who do not talk. Then, I examine how “ex-hostess” author Yuzuki Muroi narrated about hostesses in her novel Dragonfly. In this novel, hostesses are characterized as being greedy, slutty and irrational. These characteristics are in accordance with the stereotyped and socially stigmatized image of hostesses. The “real” hostess in this text is not merely the occupation but is also presented as a person who identifies with the stereotyped image of hostesses. Finally, by employing Foucault’s author function theory, I study how readers responded to Dragonfly. Among the readers’ interpretations, I found that the readers considered what was written in the novel to be the “reality” of the hostess world. The author’s identity as an “ex-hostess” guarantees the authenticity of the narrative of hostesses and convinced the readers of its reality. In conclusion, the current study clarifies that the “real” hostess in the readers’ minds was fabricated in a consistent manner with Muroi’s narrative and the preexisting stereotyped image, due to Muroi’s identity as “ex-hostess” which guarantees its authenticity. |
|||||
言語 | en | |||||
書誌情報 |
ja : ジェンダー&セクシュアリティ 号 15, p. 89-113, 発行日 2020-03-31 |
|||||
出版者 | ||||||
出版者 | 国際基督教大学 | |||||
言語 | ja | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 18804764 |