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「期待」どおりになれないわたしの可能性 ―J・バトラーの主体化理論から『アリス・イン・ワンダーランド』を読む
https://doi.org/10.34577/00002528
https://doi.org/10.34577/000025282bd56990-ad91-46f6-bc4a-50625eabfee2
| 名前 / ファイル | ライセンス | アクション |
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「期待」どおりになれないわたしの可能性 (1.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2014-09-19 | |||||
| タイトル | ||||||
| タイトル | 「期待」どおりになれないわたしの可能性 ―J・バトラーの主体化理論から『アリス・イン・ワンダーランド』を読む | |||||
| タイトル | ||||||
| タイトル | The Possibility of Failing to Live Up to Expectations ―Reading Alice in Wonderland through Judith Butler's Theory of Subjectivity | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Judith Butler | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | subjectivity | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | incommensurability | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | curiousness-queerness | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | incoherent subject | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.34577/00002528 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
五十嵐, 舞
× 五十嵐, 舞 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 6263 | |||||
| 姓名 | IGARASHI, Mai | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Using Judith Butler’s theory of subjectivity, this paper discusses views of the variation in Alice as a subject. This variation is an attempt to blur both the boundary and the relationship between an incoherent body in a “curious” world and our bodies as we exist in the real world. The film “Alice in Wonderland” takes place 13 years later than the children’s novel Alice in Wonderland and Through the Looking-Glass. Underland is still regarded as a “curious” world（when Alice was young, she misheard “Wonderland” as “Underland,” so she calls it Underland in the movie）. Alice’s arrival in Underland was anticipated; the Savior Alice was foreseen as a girl who would defeat the evil and bring peace to the Underland. Thus, Alice, who is lost there, is asked if she is the “Alice.” Despite her initial firm denial, residents there are intent upon calling her “Alice.” Ultimately, she defeats evil, which conforms to the prophesied image of “Alice.” In the film, the repeated question “who are you?” and the difficulty of answering that question adequately, as well as describing the body with phrases such as “not hardly” and “almost” appear “curious” to the viewer. However, if one analyzes using different perspectives, including Butler’s theory of performativity, it becomes clear that that “curiousness” relates to our bodies in the real world, rather than merely the world of the fantastic. |
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| 書誌情報 |
en : Gender and Sexuality 号 9, p. 169-185, 発行日 2014-03-31 |
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| 出版者 | ||||||
| 出版者 | 国際基督教大学ジェンダー研究センター | |||||
| 出版者 | ||||||
| 出版者 | Center for Gender Studies, International Christian University | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 1880-4764 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12163540 | |||||
