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韓国の芸能バラエティ番組でテロップは何をするのか ―戯曲の要素という観点から―
https://doi.org/10.34577/00005015
https://doi.org/10.34577/00005015aab79905-4c04-4761-9044-c71749fdbe0f
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
韓国の芸能バラエティ番組でテロップは何をするのか ―戯曲の要素という観点から― (1.5 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2022-02-14 | |||||
| タイトル | ||||||
| タイトル | 韓国の芸能バラエティ番組でテロップは何をするのか ―戯曲の要素という観点から― | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | What do the Subtitles in Korean Reality Shows Work for? : A Perspective of the Elements of Play | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.34577/00005015 | |||||
| ID登録タイプ | JaLC | |||||
| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| 著者 |
呉, 恵卿
× 呉, 恵卿 |
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| 著者別名 | ||||||
| 識別子Scheme | WEKO | |||||
| 識別子 | 7960 | |||||
| 姓名 | OHE, Hye-Gyeong | |||||
| 言語 | en | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The previous literature on Korean TV variety shows reveals various forms of subtitles which do not appear at all in Japan, such as made-up versions of utterances on-air, expressions of feelings or thoughts as if people were speaking on-air, “the personification of animals” or objects as if they were speaking. This does not explain why these specific types of subtitles are used in Korea and what their purpose is, except to maximize amusement. This research was designed to figure out these details, by adopting the elements of a play, Aristotle’s Poetics. This research will analyze the two elements of plot and character, the most important elements in a play. The author will describe how these elements appear in subtitles by presenting detailed examples using the elements. It was found that subtitles in Korean reality TV shows work as an effective tool to construct narratives, so that the episodes are closely connected to one another, provide them with possibility and completion, and draw on the understanding and sympathy of the TV viewers. Subtitles also work as a device to create, construct, and/or modify characters in a narrative that are essential to the plot. |
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| 言語 | en | |||||
| 書誌情報 |
ja : 語学研究 巻 36, p. 52-61, 発行日 2021-01-05 |
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| 出版者 | ||||||
| 出版者 | 国際基督教大学 | |||||
| 言語 | ja | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 09133615 | |||||
