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森の狼少女 ――鴻池朋子の美術作品と西洋の伝統的おとぎ話との対話――
https://doi.org/10.34577/00004412
https://doi.org/10.34577/000044120002476b-3a8a-49b8-a3e8-6fc3d77b7b94
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
森の狼少女 ――鴻池朋子の美術作品と西洋の伝統的おとぎ話との対話―― (13.7 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-12-03 | |||||
| タイトル | ||||||
| タイトル | 森の狼少女 ――鴻池朋子の美術作品と西洋の伝統的おとぎ話との対話―― | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | Konoike Tomoko’s Wolf Girls in the Woods: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.34577/00004412 | |||||
| ID登録タイプ | JaLC | |||||
| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| 著者 |
村井, まや子
× 村井, まや子 |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In this article, I will show how Könoike Tomoko's visual representations of the girl, the wolf, and the woods rework traditional stories about the heroine's encounter with a wild animal in the woods, of which "Little Red Riding Hood" is probably the most famous. This article is based on the last chapter of my book From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West (2015); "wolf girl" in the title refers primarily to Könoike's images. My analysis of her works intends to illustrate how contemporary Japanese art may interact with the Western fairy-tale tradition in mutually illuminating ways. I am not arguing that Könoike's works explicitly refer to any specific fairy tales. Rather, I will show that interpreting Könoike's visual images from the perspective of feminist fairy-tale criticism will open up new possibilities for reinterpreting and reimagining Little Red Riding Hood's encounter with the wolf in the woods, a motif which has been reworked by many feminist writers and critics in the West, beginning with Angela Carter's seminal retellings in The Bloody Chamber and Jack Zipes's groundbreaking collection The Trials and Tribulations ofLittle Red Riding Hood (1983). I will analyse how Könoike's fairy- tale art complicates the binary oppositions between human and animal, male and female, and human society and nature that underpin many canonised fairy tales. I will also argue that her ongoing collective art projects combining art, oral storytelling, and handicrafts are an attempt to reconnect the storyvvorld to the actual lives of people who have been telling and retelling their individual and communal stories to each other, constituting an artistic and social practice which reorganises and revitalises the dynamic relationship among stories, storytellers, and audiences. |
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| 言語 | en | |||||
| 書誌情報 |
ja : ジェンダー&セクシュアリティ 号 12, p. 79-101, 発行日 2017-03-31 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 18804764 | |||||
