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『御製歌「よもの海」』をめぐる考察
https://doi.org/10.34577/00003996
https://doi.org/10.34577/000039965100d497-8179-469f-92f9-2e9d5879ed35
| 名前 / ファイル | ライセンス | アクション |
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『御製歌「よもの海」』をめぐる考察 (1.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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| 公開日 | 2015-11-13 | |||||
| タイトル | ||||||
| タイトル | 『御製歌「よもの海」』をめぐる考察 | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | A Study of the Imperial Composition Yomonoumi | |||||
| 言語 | en | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.34577/00003996 | |||||
| ID登録タイプ | JaLC | |||||
| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| 著者 |
本間, 光徳
× 本間, 光徳 |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | This paper examines the imperial composition Yomonoumi－how it was composed, and how the interpretation of it changed. Yomonoumi was originally composed in 1904 by the Meiji Emperor immediately before the Russo-Japanese War, and was quoted by the Showa Emperor just prior to the commencement of hostilities against the United States and the United Kingdom in 1941. The seas of the world Now I think Embrace all brothers in one heart So I wonder Why the wind and waves rise in discord? (“Four Seas Brothers” by H.I.M.Meiji) In order to understand this poem, the term yomonoumi, other poems that include the term, and annotations of the poem are examined. The purpose of this paper is to clarify what imperial compositions are and how they are interpreted. Yomonoumi is a word that reflects the worldviews of many Japanese poets, and it has been used since the Heian period. The term yomonoumi originally meant “the surrounding sea;” however, it came to imply “the world” in the Edo period, and retained this meaning in the Meiji period. Emperors have often uttered their opinions through poems. Thus imperialcompositions have been media as well as literary works, especially before the modern age. However, the value of imperial compositions as media has declined because the Emperor agrees press interviews and publishes his statements through the Imperial Household Agency today. Even prior to the modern era, a kind of selection must have been made by the poets themselves and or editors since the assumption of composing poems is publication. The selection became sever as the political influence of the Emperors increased in the modern era considering a social impact of the publication. Annotations of the imperial composition Yomonoumi show tendency to justify Japan’s act as times go. Earlier ones tend to describe the international relations but later ones tend to curse Russia. What we can know through imperial compositions of the Meiji Emperor is that he did not officially entertain misgivings about the Sino-Japanese War of 1884-5, and was pleased with the victory to his great satisfaction. On the other hand, he was apprehensive about the Russo-Japanese War of 1904-5, but expressed his rejoice of the victory through imperial compositions with straightforwardwords. The Showa Emperor expressed his negative opinion upon the commencement of hostilities in 1941 by quoting the imperial composition Yomonoumi. However, we can be fairly certain that he would publish poems of gratification as the generalissimo if the war ended in victory. Of course, the Emperor in person can be a pacifist irrespective of antebellum or postbellum. However, the Emperor as an institution, or in his official capacity, he behaves under the different principle from that of a private person. Under the Constitution of the Empire Japan, the Emperor was the generalissimo as well as the head of state. At the same time, he was the head of the imperial family as well as the husband and the father at his home. The imperial composition Yomonoumiwas made as a result of struggle among these codes. It seems reasonable to conclude that an imperial composition is made by the Emperor in his different positions. However, the Emperor never attaches annotations to his poems. Therefore, imperial compositions leave room for people to surmise what to read and what to imagine. A published imperial composition may imply the national intention that cannot be expressed clearly by the state. |
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| 言語 | en | |||||
| 書誌情報 |
ja : ICU比較文化 号 46, p. 129-183, 発行日 2014-03-31 |
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| 出版者 | ||||||
| 出版者 | 国際基督教大学 | |||||
| 言語 | ja | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 03895475 | |||||
