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1770年頃の北ドイツ地域における音楽受容意識 ― 3つの『音楽文庫』の記述を手がかりに
https://doi.org/10.34577/0002000322
https://doi.org/10.34577/000200032224ce9831-1642-4019-aa3b-caa1c97f9287
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
1770年頃の北ドイツ地域における音楽受容意識 ― 3つの『音楽文庫』の記述を手がかりに (1.4 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2025-05-09 | |||||
| タイトル | ||||||
| タイトル | 1770年頃の北ドイツ地域における音楽受容意識 ― 3つの『音楽文庫』の記述を手がかりに | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | „… uns unter die angenehmen Concerte der großen Componisten verfügen.“ Drei „musikalischen Bibliotheken“ und das Bewusstsein der Musikrezeption in Norddeutschland um 1770 | |||||
| 言語 | en | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.34577/0002000322 | |||||
| ID登録タイプ | JaLC | |||||
| アクセス権 | ||||||
| アクセス権 | open access | |||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
| 著者 |
田中, 伸明
× 田中, 伸明 |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | From the musikalische Bibliotheken presented by J. C. Stockhausen (1758 and 1764;significantly revised in 1771), J. A. Hiller (1768), and Ch. D. Ebeling (1770), one can infer which music and composers were regarded as exemplary in Northern Germany at that time. The awareness of music reception expressed therein suggests that music in Northern Germany was considered aesthetically and qualitatively superior to that in Southern Germany and Austria, as the former had fundamentally showcased its distinctiveness through the music of the “older Italians,” while the latter, on the other hand, had been strongly influenced by the “new Italians,” which was seen as a sign of its inferior quality compared to Northern Germany. The fact that “Germany” around 1770 was perceived differently in terms of music reception between the South and the North underscores the importance of considering the regional diversity of music history, which was still prominent at that time and closely linked to the respective cultural and political contexts. Reading the musikalische Bibliotheken would significantly contribute to advancing research on the composers who, while having played a prominent role in certain musical genres, have so far received little attention in terms of genre history (e.g., C. H. Graun in operas, G. H. Stölzel in church cantatas, F. Benda in violin music). | |||||
| 言語 | en | |||||
| 書誌情報 |
ja : ICU比較文化 en : ICU Comparative Culture 号 57, p. 1-24, 発行日 2025-01-31 |
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| 出版者 | ||||||
| 出版者 | 国際基督教大学比較文化研究会 | |||||
| 言語 | ja | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 03895475 | |||||
