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My reading seeks to embed Raffel’s\nbook in a larger reflection on the meanings of objects in literature and more\ngenerally in art, and the ways in which they function as extensions of the self\nand connectors between people, generations and time periods. The article\ndraws on the history of objects in art in order to understand the specificity\nof Raffel’s approach. Surrealism appears as an important landmark due its\npromotion of the banal object to the status of carrier of tremendous symbolic\nmeaning. Raffel is remotely indebted to the Surrealist celebration of objects,\nbut her focus is on the affective and social dimension that characterizes\nour relationship with certain objects and on the role the latter play in the\nconstruction of identity and memory. Personal identities and histories\nare seen as intertwined with and inferable from the familiar objects that\nsurround us. The object appears as a “psychic mediator” (Tisseron) that\nstimulates reminiscence and storytelling. 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“How to do words with things”: on Dawn Raffel’s The Secret Life of Objects
https://doi.org/10.34577/00004742
https://doi.org/10.34577/00004742d41ba889-9b68-4d8a-90eb-95323ca481bd
名前 / ファイル | ライセンス | アクション |
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“How to do words with things”: on Dawn Raffel’s The Secret Life of Objects (610.2 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2020-09-25 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | “How to do words with things”: on Dawn Raffel’s The Secret Life of Objects | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.34577/00004742 | |||||
ID登録タイプ | JaLC | |||||
アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
著者 |
Manolescu, Monica
× Manolescu, Monica |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This article offers a reading of contemporary American writer Dawn Raffel’s memoir entitled The Secret Life of Objects, published by Jade Ibis Press in 2012, focusing on the affective, mnemonic, narrative and symbolic significances that it attaches to objects. My reading seeks to embed Raffel’s book in a larger reflection on the meanings of objects in literature and more generally in art, and the ways in which they function as extensions of the self and connectors between people, generations and time periods. The article draws on the history of objects in art in order to understand the specificity of Raffel’s approach. Surrealism appears as an important landmark due its promotion of the banal object to the status of carrier of tremendous symbolic meaning. Raffel is remotely indebted to the Surrealist celebration of objects, but her focus is on the affective and social dimension that characterizes our relationship with certain objects and on the role the latter play in the construction of identity and memory. Personal identities and histories are seen as intertwined with and inferable from the familiar objects that surround us. The object appears as a “psychic mediator” (Tisseron) that stimulates reminiscence and storytelling. The title of the article (an inversion of Austin’s well-known How to Do Things with Words) captures precisely this discursive and mnemonic potential of objects in Raffel’s text. Raffel invites us to think about how we can do “words with things,” that is start from objects in order to perform a linguistic exploration of memory, temporality, self and intersubjectivity. |
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言語 | en | |||||
書誌情報 |
ja : 人文科学研究 : キリスト教と文化 号 51, p. 59-76, 発行日 2019-12-15 |
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出版者 | ||||||
言語 | ja | |||||
出版者 | 国際基督教大学 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 00733938 |