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芥川龍之介「黄粱夢」試論
https://doi.org/10.34577/00004887
https://doi.org/10.34577/000048872e27f45c-e499-4f22-ab9e-d2bf617186ad
名前 / ファイル | ライセンス | アクション |
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芥川龍之介「黄粱夢」試論 (1.3 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2021-05-26 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | 芥川龍之介「黄粱夢」試論 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | A Study of Akutagawa Ryunosuke's Kōryōmu | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.34577/00004887 | |||||
ID登録タイプ | JaLC | |||||
著者 |
謝, 銀萍
× 謝, 銀萍 |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | This study examines the short story Kōryōmu (1917) by Akutagawa Ryūnosuke (1892-1927), a famous writer in Taishō-period Japan. Previous studies on Kōryōmu are scarce and for the most part has focused on situating the work within the early Akutagawa canon. Although previous scholars have identified in Kōryōmu the theme of living proactively, they have neither addressed the factors which may have affected the writer himself, nor made a detailed comparison between Kōryōmu and The World Inside a Pillow, a Chinese classic upon which the short story is based. This paper is a systematic study of Akutagawa's Kōryōmu. First, in order to contextualize Kōryōmu, I attempt to summarize the literary works based on The World Inside a Pillow in both Chinese and Japanese literature. Next, I compare Kōryōmu with The World Inside a Pillow in detail and attempt to discern how Akutagawa reinterpreted classical literature in Kōryōmu. Finally, I seek to determine what made Akutagawa's adaptation of the classics possible. The World Inside a Pillow had a deep influence on the literature that came after (especially pre-twentieth-century literature). Although there are many literary works based on The World Inside a Pillow, only Akutagawa's Kōryōmu can be considered a modern novel. This gives Kōryōmu an important standing in literary history. Akutagawa, skilled at rewriting the classics, omitted the historical elements found in The World Inside a Pillow and gave Kōryōmu a new, modern ending. Akutagawa reworked the theme, as well. The protagonist Rosei tells us that life is not an empty dream and conveys the worth of living life to the fullest while maintaining an awareness of death. Considering the relationship between Rosei and Ro-ō, I found that Kōryōmu is related to Shuchū (1916), another Akutagawa's works. Examining Akutagawa's life leading up to 1917, I discovered three important events that may have contributed to Kōryōmu: first, Akutagawa graduated from student to member of society; second, Rashōmon, his first collection of short stories had been published that year, meaning that he was admitted to the literary world; lastly, he was engaged to be married the previous year. Although Kōryōmu is quite short, it nonetheless manages to convey a genuine way to live in its protagonist Rosei, a new breed of hero. In 1927, it was translated into Chinese due of its uplifting theme. I argue that, due to Akutagawa's creativity, Kōryōmu surpassed the classic upon which it was based and became a work full of significance for modern times. |
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言語 | en | |||||
書誌情報 |
ja : ICU比較文化 号 49, p. 1-22, 発行日 2017-01-31 |
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出版者 | ||||||
言語 | ja | |||||
出版者 | 国際基督教大学 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 03895475 |