{"created":"2023-05-15T09:32:51.339702+00:00","id":4759,"links":{},"metadata":{"_buckets":{"deposit":"3e58d240-4b8a-4045-a466-8019cab4d679"},"_deposit":{"created_by":14,"id":"4759","owners":[14],"pid":{"revision_id":0,"type":"depid","value":"4759"},"status":"published"},"_oai":{"id":"oai:icu.repo.nii.ac.jp:00004759","sets":["12:48:53:493"]},"author_link":["7160"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"13","bibliographicPageEnd":"136","bibliographicPageStart":"111","bibliographic_titles":[{"bibliographic_title":"ジェンダー&セクシュアリティ","bibliographic_titleLang":"ja"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　Yu Miri made her debut in 1988 and 1994 as a playwright and a novelist\nrespectively. Since her career started with Fish Festival (Sakana no matsuri),\nawarded the prestigious Kishida Prize for Drama (Kishida Kunio Gikyokushō) in\n1993, and Family Cinema (Kazoku cinema), awarded the Akutagawa Prize in 1997,\nYu Miri wrote extensively about the family. Both in her fiction and non-fiction\nworks she has described the collapse and rebirth of the modern family, exploring\nthe role of the father and his relationship with the daughter. In her works she has\noften depicted daughters who are caught in between love and hate toward their\nfather, and who cannot escape from his control.\n　The family is a well-known theme in Yu Miri’s work, which has been often\ndiscussed. On the other hand, not much attention has been paid to the\nfather-daughter relationship yet. The aim of this paper is to analyze how the\nrepresentation of the father-daughter pair has changed from Yu Miri’s early\nworks until the publication of the non-fiction book Family Secret (Famirī\nshīkuretto) in 2010, and the way Yu Miri used literature as a tool to distance\nherself from two fatherly figures who have effected her literature since her\ndebut: her real father, who is considered the model for many of the fathers who\nappear in her early works, and Higashi Yutaka, who is considered her literary\nfather by the writer herself.\n　In this paper I will first focus on the representation of the father in Yu Miri’s\nearly works, and I will compare it with the father-daughter relationship as it is\ndepicted in Family Secret. As I demonstrate in the first section of this paper,\nboth in her early novels and essays Yu Miri has often written about dysfunctional\nfamilies, focusing especially on the depiction of abusive fathers. With Family\nSecret, her first nonfiction work, she has again tried to use literature as a tool\nto escape from the father’s control, this time showing that memories, in their\nreproduction of the past, are nothing more than fiction.\n　I will then look at the “post-family” Yu has created in the tetralogy Life (Inochi),\nand the way this topic has been further developed in the novel After the Rain\nand Dreams (Ame to yume no ato ni). I will focus on the way the ideology of\nthe modern family is overcome in this novel, and how the father-daughter\nrelationship in it depicted differs from Yu’s previous works.\n　After the Rain and Dreams is an important work also because it deals with the\ndeath of Yu’s literary father, Higashi Yutaka, and his relationship with the writer.\nIn the final section of this paper I will move onto an analysis of the novel Black\n(Kuro), showing how Yu Miri, after mourning Higashi throughout the tetralogy\nLife, has distanced herself from her mentor, and finally become independent\nfrom the power of his words.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.34577/00004586","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国際基督教大学","subitem_publisher_language":"ja"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"18804764","subitem_source_identifier_type":"ISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"グアリーニ, レティツィア","creatorNameLang":"ja"}],"nameIdentifiers":[{"nameIdentifier":"7160","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2020-01-23"}],"displaytype":"detail","filename":"e840c991e4d7f79643c7ee94d0cdac0443a0c894.pdf","filesize":[{"value":"1.1 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"いつまでも父の娘？ ― 柳美里文学における父娘関係をめぐって","url":"https://icu.repo.nii.ac.jp/record/4759/files/e840c991e4d7f79643c7ee94d0cdac0443a0c894.pdf"},"version_id":"4273c055-8032-4317-b9fa-0e122d200ebd"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"いつまでも父の娘？ ― 柳美里文学における父娘関係をめぐって","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"いつまでも父の娘？ ― 柳美里文学における父娘関係をめぐって","subitem_title_language":"ja"},{"subitem_title":"Forever Daddy’s Girl? : The Father-Daughter Relationship in Yu Miri’s Works","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"14","path":["493"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2020-01-23"},"publish_date":"2020-01-23","publish_status":"0","recid":"4759","relation_version_is_last":true,"title":["いつまでも父の娘？ ― 柳美里文学における父娘関係をめぐって"],"weko_creator_id":"14","weko_shared_id":-1},"updated":"2023-10-02T01:58:33.428728+00:00"}