@article{oai:icu.repo.nii.ac.jp:00004551, author = {飯田, 麻結}, issue = {11}, journal = {ジェンダー&セクシュアリティ}, month = {Mar}, note = {This paper examines how the notions of affect, the national body and homonationalism have been deployed and articulated in the aftermath of the London Riots that took place in August, 2011. With reference to Tom Whyman’s article “Beware of cupcake fascism” published on The Guardian in 2014, which illustrates oppositional responses to the riots, I will investigate the way the cultural tropes of cake and cupcake could be associated with emerging debates within feminist and queer politics. As the incidents have brought out several structural deficiencies in terms of race, class and poverty, it is significant to pay careful attention to the ongoing construction of the bodies of others in contrast with the government’s comprehensive recovery scheme entangled with the declaration of the national ideal as well as the re / production of privileged citizens. It must be stressed that the government insisted on mending “broken society” with a specific focus on conservative values of family and ideal Britishness regardless of rioters’ varying backgrounds and causes of social oppression. Whyman’s article does not only offer a critical insight into differential orientations towards what is deemed a national crisis, it also reveals the rhetorical affirmation of middleclass values against possibilities of social change by claiming emotional others as the objects of “clean-up,” who disturb the existent boundaries of the national body. Reflecting upon Sara Ahmed’s influential argument of the stickiness between bodies and emotions, I will first attempt to unfold the complicated process of incorporation into the body of the nation, which is followed by an in-depth analysis of legitimate and alternative historicity in relation to “good-life-fantasies” and Lauren Berlant’s concept of “cruel optimism” that the nation promises as a normative condition of everyday lives, which is, however, suspended for the maintenance of the future. The arbitrary appropriation of the imagined past for a better future then secures the national ideal, while it inevitably bears a historical burden such as the privilege of whiteness and the liberal-bourgeois subjecthood. In addition, the metaphors attached to the objects of consumption will further be discussed with regard to homonationalism defined by Jasbir K. Puar, in that the rioters’ bodies marked as others are meticulously expelled from neoliberal political economy behind the logic of social progress. The riots bring to the fore the intersection of affective politics, queer alternative historiography and the rise of homonationalism against universalising and idealising narratives deployed by the nation in the face of a crisis, whose underlying imperative may sound surprisingly familiar.}, pages = {91--121}, title = {カップケーキの寓話: ロンドン暴動にみる情動・国家の身体・ホモナショナリズムの接続}, year = {2016} }