@article{oai:icu.repo.nii.ac.jp:00004358,
 author = {吉田, 一生},
 issue = {48},
 journal = {人文科学研究 : キリスト教と文化},
 month = {Dec},
 note = {On Religiousness of Modern Art

　This article discusses a religious aspect of art based on Schelling’s thesis that an art 
work is an unconscious identity of the ideal and the real, while critically considering the 
meaning of the recent artistic movement. The main character of modern art is relativity. 
Its supporters claim that everything could be an art work. However, from the philosophy 
of art perspective it must represent some idea, and romantic philosophers even sought 
the absolute meaning of art. For Schopenhauer, art was liberation from existence, and 
for Nietzsche reconciliation with it. Both recognize the essence of the world in art, 
which is not an individual fantasy but an ultimate reality. The following discussion 
regards the Apollonian art as reality of reason in relation to nature and the Dionysian art 
as that of god in relation to mythology. Thereby, Schelling’s philosophy of nature and 
that of mythology offer a deep insight into the identity of being and consciousness. It 
seems that modern art, whose tendency is thoroughly nihilistic, is far away from such an 
idea, but the article concludes that it has a strong possibility of the revelation.},
 pages = {225--243},
 title = {現代における芸術の宗教性について},
 year = {2016}
}