{"created":"2023-05-15T09:32:30.245405+00:00","id":4293,"links":{},"metadata":{"_buckets":{"deposit":"95b1d55b-3d78-4aa5-ab64-c28df318e54f"},"_deposit":{"created_by":14,"id":"4293","owners":[14],"pid":{"revision_id":0,"type":"depid","value":"4293"},"status":"published"},"_oai":{"id":"oai:icu.repo.nii.ac.jp:00004293","sets":["12:3:4:443"]},"author_link":["5589"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2016-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"47","bibliographicPageEnd":"96","bibliographicPageStart":"51","bibliographic_titles":[{"bibliographic_title":"人文科学研究 : キリスト教と文化","bibliographic_titleLang":"ja"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　This paper explores the antiquarian contexts of the opening sonnets in \nthe first edition of William Wordsworth’s Ecclesiastical Sketches (1822). The \nfirst section of the Sketches explores the period from pre-Christian Britain to \nNorman Britain, including the conversion of the Anglo-Saxons. The paper \nlooks at the language of the first five poems in this section, comparing \ntheir language and imagery to Wordsworth’s antiquarian sources. During \nthe composition of these poems, Wordsworth was impatiently waiting for \na package of books to add historical research to his writing. Evaluating \nwhich sonnets may have been composed with access to which antiquarian \nsources provides insight into Wordsworth’s parallel deployment of scholastic \nantiquarianism and Enlightenment scepticism. The paper argues that reading \nthe Sketches for tensions between two streams of intellectual history—\nscholastic antiquarianism and Enlightenment virtuosity—illuminates \nimportant tensions in Wordsworth’s creative mind during the period of \ncomposition. The paper hypothesises that (a) tensions between antiquarian \nand Enlightenment knowledge in the Sketches shape their representations of \nself and mind; and similarly, that (b) tensions between the texts’ religious \nand intellectual convictions affect how the poems represent historical shifts \nbetween scholasticism and naturalism (antiquity and Enlightenment) in \nBritish history. Close readings of the first five sonnets in the Sketches, in \nthe biographical context of what antiquarian sources Wordsworth had \navailable to him during composition, allow us to draw conclusions as to \nhow much Wordsworth depended on his antiquarian reading, and how \nmuch he resisted or rejected the arguments of these sources. The paper \nconcludes that Wordsworth’s use of seventeenth-century and contemporary \nantiquarian sources such as Thomas Fuller’s The Church-History of Britain \n(1655) and Edward Davies’ Celtic Researches (1804) shows two opposite creative \ntendencies in the Sketches: (a) Wordsworth reading antiquarian sources but \nwriting against them; and (b) Wordsworth not having access to antiquarian \nsources, and feeling that he cannot write ‘historically’ without them. As a \nproductive result of these opposing impulses, Wordsworth sometimes turns \nto memory (including both biography and earlier antiquarian reading) for \ninspiration, and produces a more aesthetically vigorous, optimistic portrait \nof ancient religion in Britain.\n","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.34577/00004166","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国際基督教大学","subitem_publisher_language":"ja"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"00733938","subitem_source_identifier_type":"ISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right_uri":"open access"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Simons, Christopher E. J. ","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"5589","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-10-20"}],"displaytype":"detail","filename":"05Simons.pdf","filesize":[{"value":"886.8 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"From Superstition to Enlightenment: Wordsworth’s Antiquarian and Virtuoso Selves in the Ecclesiastical Sketches","url":"https://icu.repo.nii.ac.jp/record/4293/files/05Simons.pdf"},"version_id":"74f1d50d-ed5f-4192-bb30-3b48264c2f44"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"From Superstition to Enlightenment: Wordsworth’s Antiquarian and Virtuoso Selves in the Ecclesiastical Sketches","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"From Superstition to Enlightenment: Wordsworth’s Antiquarian and Virtuoso Selves in the Ecclesiastical Sketches","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"14","path":["443"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2016-10-20"},"publish_date":"2016-10-20","publish_status":"0","recid":"4293","relation_version_is_last":true,"title":["From Superstition to Enlightenment: Wordsworth’s Antiquarian and Virtuoso Selves in the Ecclesiastical Sketches"],"weko_creator_id":"14","weko_shared_id":-1},"updated":"2023-10-02T04:21:01.729854+00:00"}