{"created":"2023-05-15T09:32:21.400123+00:00","id":4043,"links":{},"metadata":{"_buckets":{"deposit":"aff998d0-ebe2-4136-bb00-511007f0893c"},"_deposit":{"created_by":14,"id":"4043","owners":[14],"pid":{"revision_id":0,"type":"depid","value":"4043"},"status":"published"},"_oai":{"id":"oai:icu.repo.nii.ac.jp:00004043","sets":["12:3:4:422"]},"author_link":["3994"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2015-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"46","bibliographicPageEnd":"356","bibliographicPageStart":"303","bibliographic_titles":[{"bibliographic_title":"人文科学研究 : キリスト教と文化","bibliographic_titleLang":"ja"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　This paper examines examples of the language of the Kunstkammer or\nWunderkammer (the collector’s cabinet of art, antiquities, ‘curiosities’, and\n‘wonders’), and the character of the ‘virtuoso’ (the collector, antiquary,\nconnoisseur, and natural philosopher) and its parodies in William\nWordsworth’s autobiographical epic poem, The Prelude (completed 1805).\nThe paper uses a theoretical methodology based on ideas in Foucault’s The\nOrder of Things and Horst Bredekamp’s The Lure of Antiquity and the Cult of\nthe Machine. It further draws on the historical context of tensions between\nscholasticism and naturalism in the work of writers including Basil Willey,\nWalter Houghton, and John Brewer. Close readings of four passages in The\nPrelude related to cabinets and virtuosi then invite discussion of the text’s\ncomplex positions on nature, classification, and mechanistic philosophy in\nthe context of seventeenth- and eighteenth-century epistemologies. The\npaper argues that the images of the ‘cabinet’ and the ‘virtuoso’ are highly\nunstable signifiers in their historical contexts. These images allow the\npoem to simultaneously critique opposing forces in intellectual history. On\nthe one hand, these images critique the naturalism of the ‘New Science’ of\nthe Enlightenment—the legacies of Bacon, Kepler, Descartes, and Locke—\nwhile making assumptions about its mechanistic and utilitarian goals, and\nits devotion to classifying and categorising objects and phenomena. On the\nother hand, these images also carry an implicit critique of the supernatural\nscholasticism of the classical and pre-Early-Modern periods, which\nmanifests in the late eighteenth century as retrograde antiquarianism,\nscientific dilettantism, and the character of the myopic antiquary or\ncollector. Here the text makes contrasting assumptions about the disorder,\nanti-historicism, and superstitions of the Kunstkammer as the prototypical\nmuseum. While the Prelude texts generally position Wordsworth against\nmechanistic natural philosophy, in favour of a more superstitious\nscholasticism, they simultaneously display a methodical, analytical\nEnlightenment mind at work. Through readings of passages of cabinets\nand virtuosos in Books 2, 3, and 5 of The Prelude, the paper concludes that\nWordsworth’s occasional use of these images in his work—what he might\nterm objects removed from context in order to be classified, arranged, and\npositioned ‘In disconnection, dead and spiritless’—significantly bears on a\ncentral concern in his poetry: the relationship between history, nature, and\nthe creative imagination.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.34577/00003942","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"国際基督教大学","subitem_publisher_language":"ja"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"00733938","subitem_source_identifier_type":"ISSN"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Simons, Christopher E. J.","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"3994","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2015-09-01"}],"displaytype":"detail","filename":"12-Simons.pdf","filesize":[{"value":"1.6 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"Wordsworth’s Cabinets and Virtuosi:Unstable Forms of Knowledge in The Prelude","url":"https://icu.repo.nii.ac.jp/record/4043/files/12-Simons.pdf"},"version_id":"5f73d14b-c5e3-4811-a5c9-3da087a21463"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"Wordsworth’s Cabinets and Virtuosi: Unstable Forms of Knowledge in The Prelude","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"Wordsworth’s Cabinets and Virtuosi: Unstable Forms of Knowledge in The Prelude","subitem_title_language":"en"},{"subitem_title":"Wordsworth’s Cabinets and Virtuosi: Unstable Forms of Knowledge in The Prelude","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"14","path":["422"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2015-09-01"},"publish_date":"2015-09-01","publish_status":"0","recid":"4043","relation_version_is_last":true,"title":["Wordsworth’s Cabinets and Virtuosi: Unstable Forms of Knowledge in The Prelude"],"weko_creator_id":"14","weko_shared_id":-1},"updated":"2023-10-02T04:57:10.606419+00:00"}