@article{oai:icu.repo.nii.ac.jp:00002668,
 author = {ウィルソン, リチャード and 小笠原, 佐江子},
 issue = {44},
 journal = {人文科学研究 （キリスト教と文化）, Humanities: Christianity and Culture},
 month = {Mar},
 note = {Kenzan Ware Workshops: Archaeological Evidence

　From 1996, the archaeology of production and consumption sites began to impact the study of ceramics made by Ogata Kenzan (1663-1743) and his followers. This article coordinates the archaeological evidence with extant Kenzan wares, and attempts to delineate the characteristics of associated workshops.
　The Narutaki workshop: Documents suggest that the grounds of what is now the Hôzôji temple in northwest Kyoto was used as a workshop by Ogata Kenzan between 1699 and 1712. Sherds have been excavated from the site episodically since 1928, culminating in a five-year survey of the site between 2000 and 2005. This article matches the reconstructible specimens with extant pieces to portray the full dimensions of the Narutaki style; kiln fragments and furniture are used in a consideration of Kenzan-ware technology.
　The Shôgoin workshop: In 2001 archaeologists from Kyoto University uncovered fragments that corroborated a passage in a 1737 Kenzan pottery manual called Tôji seihô that his adopted son Ihachi was working at a kiln in front of the Shôgoin temple in east Kyoto. The evidence excavated at this site coordinates stylistically with the extant work of Ihachi, but the sherds show a contribution by other potters as well.
　The Iriya workshop: There is no archaeological evidence directly linking Kenzan to the Edo (Tokyo) neighborhood of Iriya where he spent his last years, but Taito ward has excavated a site that shows hints of later ceramic production, possibly influenced by a local “Kenzan” tradition.
　Consumption sites: Here we summarize the discoveries of Kenzan ware in urban user sites from 1975 to the present. Significantly, the majority of the fragments found to date correspond to the boom in Kenzan ware as well as Kôrin (Rimpa) design in the second-to-third quarter of the eighteenth century.
　Data from surface collections at Narutaki: The article concludes with an illustrated and annotated survey of artifacts collected from the Narutaki site prior to the formal excavations that began in 2000.
Since these collected sherds correspond closely with the recently excavated ones, and since they include many more reconstructible pieces, they stand as critical evidence for the first dozen years of Kenzan’s production.
　Archaeological materials must be interpreted with care, for they seldom point to specific dates of manufacture or use. However after a very productive two decades of archaeology-based research we
can say that our picture of Kenzan ware production is broader and more reliable than ever before.
　Space precludes extensive acknowledgements here. However the authors would like to thank all the friends, colleagues, and supporters who made this work possible. Especially our heartfelt thanks go out to the late Prof. Kazuaki Saitô (Humanities, ICU), who as Vice President of Academic Affairs encouraged this work to go forward.},
 pages = {(1)--(110)},
 title = {乾山焼　陶片資料とその工房},
 year = {2013}
}